Of course, everything is impeccable and beautiful just like Mr. Blass and his clothing. I also love what he has to say on design, "I have always thought that fashion designers are the best interior designers. I love it. It's all a question of the eye; you are soliciting the same innate talent." He also further supports my notion that all design is related whether it be fashion or interior, art, architecture or photography. And you either have an eye for it or you don't.
In the drawing room, Regency days beds flank the fireplace while 18th-century Italian globes sit a top a 19th-century Italian library table. The apartment was also simple and serene. " There is a sense of dignity, a simplicity and a classicism in my clothes which can be read into the apartment. As I am surrounded with colours and fabric all day I look forward to a monochromatic home. I work in fashion - I don't want to live somewhere that looks fashionable."
The onyx urn in the hall is from Pavlovsk Palace.
In the library, hold three Greek bronze helmets while a bronze by Sir Frederick Leighton sits on an 18th-century Swedish desk.
In the dining room, the German chairs are upholstered in early 19th-century toile and the trompe l'oeil painting is 17th-century Flemish.
"What I have here is the result of a lifetime of collecting. There is no relationship between the things themselves - except that I like them. You know how American women choose to wear a dress and invest it with their own spirit: I admire that sort of philosophy, and when I collect things, I choose how they are going to look in my life. The way I decorated here was to surround myself with the things I love...and they all have great dignity. And although I choose all the furniture and pictures, I did, as a bachelor, seek out a woman to put it all together...I had the advice of Chessy Rayner." Hmmm...sounds like someone else we know.